This Drifting Poo Was Far Too Symbolic! It's the TV Letdowns of the Year.

As we consider the TV landscape of the recent year, a handful of series stand out not for their excellence, but for their spectacular failures. Ranging from awkward spin-offs to confusingly poor documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Plagued with woeful scripts, painful arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to justify its existence. For a moment, as the third season started, it looked like it had finally hit its stride. Then came an episode all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the final season. It ended on a low point; the closeup of Miranda’s loo full of poo was simply too on-the-nose. Still, fans undeniably had a hoot dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this drama's problems. The recipient of a very rare zero star review, it was hard to know where to begin enumerating the flaws. The hilariously leaden writing? The mind-numbing glorification of affluence and materialism? The almost wilful procession of cliches? Acting so bad they felt almost spiteful? Suffice it to say “all of the above” and never speak of this series again. However, a new season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, domestic violence claims and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this three-part documentary which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any pity this show might evoke should be saved for the people who have had to suffer proximity with this charismatic but dismissive egotist.

The Supercomputer Drama

Naturally we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is unfair on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing dialects. But there were plenty of other issues. Mainly that it was just really dull; a dispute over drug-selling territory between various cockney rogues which seemed a bit basic.

With Love, Meghan

Given the degree to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into quaint homemaking as intentional provocations. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a homeware catalogue animated; a poster for wine o’clock with delusions of grandeur; a parade of sleeping dogs, humming beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All supported by immense, mostly undeserved wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Instead, the experience was like reading a marketing brochure. She clearly has good reason to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even camper, with a famous star playing dead and a well-known personality managing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was straining desperately to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The expectation was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the smart inclusion of talented emerging comics, hopes were high. But unhappily, most of it didn’t land. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Rather, the series laboured awkwardly to find the right tone, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? Nope! This international thriller about government agencies targeting – and eliminating – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for sexual escapades as she undertook her most extreme feat yet. What on earth would possess her? What we wanted was far greater interrogation of her true psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to haul her son out of the queue. What we got was disturbing shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Brittney Mcclain
Brittney Mcclain

A passionate historian and travel writer dedicated to preserving and sharing the unique heritage of the Amalfi region.